I received a free advance copy of this title from the publisher via NetGalley.
I had no idea what to expect when I opened Patchwerk, aside from what the cover blurb says about it, so it was a complete and mostly pleasant surprise. I’d never heard of David Tallerman before, and this is the only thing I’ve ever read by him. Patchwerk is a type of sci-fi story that I don’t usually seek out—the “man invents something ill-advised and hijinks ensue” sort—so it was an interesting change of pace, although it was a great follow-up to Microsoft’s Future Visions anthology of “harder” sci-fi, which I just recently finished.
In some ways, Patchwerk is an interestingly experimental work, told in a series of alternate universe vignettes, each beginning where the previous one left off so that the reader learns what is going on at about the same rate as the characters do. At the same time, I figured it out before I think I was supposed to when I read it, so that the revelation when it came felt a little redundant and slightly condescending. It felt as if Tallerman thought he was being a good deal cleverer than he actually was when he came up with the concept for the book. Still, it wasn’t a particularly egregious example of this flaw, and the concept works well in other ways even if it fails somewhat as a tool for creating suspense.
What Patchwerk lacks in suspense—the stakes are said to be high (or at least implied to be), but things never do feel all that dire, and the ending was a little too pat—it makes up for in sheer action packed-ness. At no point was I ever bored reading this little book, and I finished it almost entirely in one sitting, on the edge of my seat the whole time. Though I complain that I figured some things out before the book confirmed them, I was so delighted with what was going on that it didn’t bother me at all while reading.
Perhaps my only significant complaint about this novella is a technical one. While I’d have to reread it to find specific examples, it seemed as if Tallerman shifted pretty freely between a close third person point of view focused on Dran and an omniscient narrator with some insights to Karen that Dran wouldn’t have been privy to on his own, and this was sometimes distracting. It might have benefited from another close read during the editing process to clarify some random-seeming point of view shifts that were a little distracting.
This definitely isn’t my favorite of Tor.com’s novellas, but it’s another solid entry into the catalog, and I’m glad to have read it. While it didn’t tickle my fancy as much as Of Sorrow and Such or Binti or Sorcerer of the Wildeeps, it was a nice journey outside my usual sub-genre choices, and it gave me something to think about for the afternoon that I read it.
Future Visions had me at Ann Leckie (also at “free” because who passes up free stories?), but it turns out that Microsoft’s first foray into sci-fi publishing is actually a solidly good collection of work. I honestly wasn’t at all certain that it would be, and, worse, I was more than a little concerned that it would end up being little more than an extended, fictionalized advertisement for Microsoft products. Instead, it’s a well-produced anthology of hard sci-fi that ranges from very recognizable speculation about the near-future to space opera.
I read Why Not Me? as part of my last ditch (and probably doomed) effort to catch up on my 2015 Goodreads challenge and finished it in just a few hours. Like Mindy Kaling’s first book, this one is a fast, enjoyable read with a moderate amount of insight into all kinds of things that Mindy Kaling is interested in. Also like Mindy Kaling’s first book, this one makes me want to be best friends with her, because she seems to be utterly delightful.
Perhaps it’s because fantasy is my first and forever true love under the SFF umbrella, but I’m convinced that the Fantasy Magazine entries in the DestroySF project are the best. At the very least, they’ve been consistently my favorite magazines in the series. Queers Destroy Fantasy has, hands down, the best fiction in any of the Destroy issues so far.
I’m always torn, when reading anything by Catherynne M. Valente, between feeling just incredible awe at her skill as a wordsmith and storyteller and being overcome by crushing feelings of inadequacy and self-loathing because she’s so brilliant and talented and only a couple of years older than me. I’m always happy when she’s written something new, and Radiance was perhaps my most-anticipated novel of 2015. Even better, it’s everything I dreamed it would be.
Genrenauts: The Shootout Solution is the first in a new series of novellas by Michael R. Underwood that explores and interrogates genre tropes with a premise that is basically like what would happen if the mid-90s television show Sliders got mashed together with the popular fiction section of a Barnes & Noble. It’s a fun idea, and it more or less works.
This entire series of books has been middling at best, and Winter is no different in that regard than its predecessors. Still, it’s an enjoyable read. The biggest problem with Winter is simply that it’s enormously overlong. At over eight hundred pages, and broken up into nearly a hundred chapters, most of which are very short, it’s a monstrously lengthy read. Unfortunately, there’s just not enough going on in Winter to justify all that length, and while I did enjoy it, my biggest feeling when I finished was resentment at how long it took to finish.
Domnall and the Borrowed Child is the definitely weakest of Tor.com’s novellas published to date. It’s not bad, but it’s a little too short and doesn’t have any standout qualities to elevate it above the ordinary.
The Builders is a wild ride from start to finish, and it’s my favorite so far of Tor.com’s new series of novellas. It’s a wonderful use of the form, and Daniel Polansky has managed to make a great many parts move like clockwork in a fast-paced, riveting revenge story with a deeply satisfying ending.
Probably my favorite thing about this first round of Tor.com novellas has been the wide variety of different stories they have included, and this one is definitely the one that is most different from all the rest. I didn’t have any particular expectations for Envy of Angels, not having read anything else by Matt Wallace, and I increasingly find that I rather enjoy reading like this. It turns out that Envy of Angels is a smart and very funny urban fantasy.