The SF Bluestocking 2018 Fall Reading List

Well, this is belated, obviously. It turns out that pouring about four and a half weeks’ worth of day job work hours into the first three weeks of October is not very conducive to accomplishing anything even remotely blogging related. And continuing to work 50+ hours/week has not been helping with my non-day-job-related productivity. Getting this together also hasn’t been helped by the fact that–real talk–there’s just not that much going on in this final quarter of 2018, books-wise. In the couple of years I’ve been doing these reading lists, this is by far the shortest one, and this fall marks the first time in quite a while that I’ve found myself quite so much without a strict plan for what I’ll be reading in the coming months.

That’s not to say that the end of 2018 is completely without books that I’m excited about, but I’m also expecting to spend a good amount of time catching up on things that I’ve missed earlier in the year (and perhaps even on some 2017 titles that I never got around to). Here’s what’s on my list for the rest of this year.

Tor.com Publishing

It’s a light couple of months from Tor.com, but I’ve already read the newest Murderbot and can’t wait to read Finding Baba Yaga and Kate Heartfield’s Alice Payne Arrives.

  • Exit Strategy by Martha Wells – 10/2
    Martha Wells definitely nails the landing on this series, and I cannot wait to read Murderbot novels in the future.
  • Finding Baba Yaga by Jane Yolen – 10/30
    A novel in verse by a legend. What’s not to be excited about?
  • Static Ruin by Corey J. White – 11/6
    I never did get around to reading the second book in this trilogy, though I liked the first. Novellas have, in general, been exactly what I want to read lately, so I’m hoping to fit it in before the end of the year.
  • Alice Payne Arrives by Kate Heartfield – 11/6
    I haven’t read a good time travel story in a long time, and I’ve got high hopes for this one.
  • Bedfellow by Jeremy C. Shipp – 11/13
    I’m not very keen on horror, so I’ll probably skip this one, but surely it will be a great read for somebody.

Comics and Graphic Novels

  • Saga, Vol. 9 by Brian K. Vaughan and Fiona Staples – 10/2
    I read this the day my pre-order arrived, and I still haven’t recovered. What a fucking time for a year-long hiatus.

Novels

  • Zero Sum Game by S.L. Huang – 10/2
  • There Before the Chaos by K.B. Wagers – 10/9
  • The Phoenix Empress by K. Arsenault Rivera – 10/9
    One of the books I skipped in 2017 was The Tiger’s Daughter, but the release of its sequel and a couple of promising reviews prompted me to finally get a copy of it, which is currently on my shelf waiting to be opened sometime soon.
  • The Consuming Fire by John Scalzi – 10/16
  • The Monster Baru Cormorant by Seth Dickinson – 10/30
    The Traitor Baru Cormorant was a book that is so well-plotted and compulsively readable that I couldn’t put it down, but it’s also the worst sort of exploitative queer tragedy played for shock value that I’ve ever read.
  • Empire of Sand by Tasha Suri – 11/13
  • Creatures of Want and Ruin by Molly Tanzer – 11/13
  • City of Broken Magic by Mirah Bolender – 11/20
  • A Bad Deal for the Whole Galaxy by Alex White – 12/11

Realistically.

Because one must be realistic about these things.

I haven’t worked less than 50 hours in a week at my physically demanding day job in a couple of months, and I am wiped out. Between election stress and day job stress and sheer physical exhaustion, I haven’t had that much time for reading, and most of what I’ve been reading lately is novella-length. There are a few things on this list that I will definitely be making time for, but the most likely scenario between now and the end of 2018 (which is, natch, approximately a thousand years from now) is that I will be spending a lot of time reading backlist titles and catching up on things that I missed earlier this year (I’m coming for you, The Moons of Barsk).

Most of all, I’m hoping to just spend the rest of this year chilling the heck out and recharging so I can get back into some proper blogging in the new year.

State of the Blog and Weekend Links: April 22, 2018

Welp, last week was exhausting, and this week–and today, specifically, in which I worked a bit over ten hours at the day job–hasn’t been much better, though it has been slightly more productive. Only slightly, though, and most of that productivity was expended on selecting blog material for the Hugo Award voter’s packet and putting it together in ebook form. Plus reading Space Opera, which is the first perfect book I’ve read this year. Now I’ve moved on to A Princess in Theory by Alyssa Cole, and it is delightful and exactly the sort of light read I needed after Space Opera.

This coming week is probably still going to be busy and tiring, so I’m not sure what I’ll be able to accomplish. In spite of my desire to work more like 25 hours a week, I’ve been working pretty much full time the last few weeks, which is a huge barrier to blogging. Even just consuming media has been more than I’m up for most days, and the sort of active critical engagement necessary for writing is mostly completely beyond me right now. I’ve also got a lot going on, just in general. This week, on top of work, I’ll be busy planning and executing my daughter’s birthday party (she just turned 15, which makes me feel a little old), taking her to a doctor appointment, and trying to squeeze in an appointment for me to get my hair cut and colored (thinking of going platinum). Tomorrow, I think we’re going to see The Cat Returns, and Wednesday my daughter’s a cappella group has a performance.

Fortunately, even if I’m not being productive, plenty of other people are, so I’ve got two weeks’ worth of links to share.

I still haven’t read Ilana C. Myer’s first novel, Last Song Before Night, but the more I read about her new book, Fire Dance, the more I think I ought to carve some time out for it.

Breaking the Glass Slipper has Five Questions with Martha Wells. The next book in Wells’ Murderbot Diaries, Artificial Condition, comes out May 1.

Catherynne M. Valente shared her Big Idea last week as well as five things she learned writing Space Opera.

Did you know there is a collection of short fiction inspired by Justina Ireland’s Dread Nation?

Fantasy Faction interviewed Ruthanna Emrys about her upcoming Lovecraftian novel, Deep Roots, the sequel to last year’s Winter Tide.

Catch 6 Books with Emma Newman over at nerds of a feather.

You can also find Emma Newman this week being interviewed at The Illustrated Page.

Also at The Illustrated Page, an interview with R.F. Kuang, whose debut novel, The Poppy War, just keeps creeping up towards to the top of my TBR even though it sounds much darker than I’ve had much taste for lately.

At the Book Smugglers, Michael R. Underwood talks inspirations and influences for Born to the Blade.

Matt Wallace talks about finishing up his fantastic Sin Du Jour series.

Jeanette Ng writes about reclaiming classics for today.

L.D. Lewis’s novella, A Ruin of Shadows, comes out this week. Preorder it! I did! If you aren’t convinced yet, be sure to read this Q&A with the author over at Dancing Star Press.

Ann Leckie’s 2019 fantasy novel, The Raven Tower, has a cover.

So does Ana Mardoll’s first short fiction collection, No Man of Woman Born.

Read an excerpt from Micah Yongo’s Lost Gods.

Bogi Takács kicked off a new series on QUILTBAG speculative classics over at Tor.com. FIrst up: The Gilda Stories by Jewelle Gomez.

Also at Tor.com, an appreciation of Ellen Datlow and Terri Windling.

Emily Asher-Perrin breaks down the myth of Robin Hood.

Chloe N. Clark’s Horror 101 series continues with a look at Private vs. Global horror.

Atlas Obscura asks (and answers), why do fantasy novels have so much food?

It’s time for Fantasy Book Cafe’s annual Women in SFF Month again!

  • Renay from Lady Business started things off with a post about reading challenges and reading diversely.
  • Cass Morris wrote about historical fantasy.
  • Kim Wilkins shared her memories of falling in love with Princess Leia.
  • Peng Shepherd shared the book that served as her gateway to the genre.
  • Rowenna Miller wrote about women and the authenticity falsehood in fantasy.
  • R.F. Kuang shared a Chinese legend and what it means to her and how it influences her work.
  • Melissa Caruso talks fighting in ballgowns.
  • Ausma Zehanat Khan expounded upon the main theme of her Khorasan Archives series (which, incidentally, led to me finally ordering the first book).
  • Jeannette Ng offered a taxonomy of fairies.
  • Claire North had some thoughts about strong women.

State of the Blog and Weekend Links: April 8, 2018

Well, today has been a Day, and it comes at the end of a Week. Readers, I am worn out. I’m also disappointed that I didn’t get nearly as much accomplished this week as I’d hoped to, but mostly I’m just ready to go to bed, even though it’s only 9:30. Fortunately, this coming week finally sees my availability change go into effect at the day job, which means far fewer too-early nights and hopefully much more productive time in the afternoons and evenings.

did manage to read a couple of books this week–Justina Ireland’s Dread Nation (it’s great, and you should be reading it right now instead of this) and The Merry Spinster by Mallory Ortberg (also good)–and I watched Jesus Christ Superstar Live, which was excellent. I also managed to get out my Spring Reading List, and I’m doing some Gormenghast re-reading as well so that I can get back to work on that project this week. It was also my partner’s birthday on Thursday, as well as my day off work, so we had a nice day together and a good dinner at a good local pizza place. Mostly, though, I’ve been working and tired from work, which seems to be the story of my life so far this year, and even I’m getting bored of it.

That said, I’m stoked to be getting back to work on Gormenghast, and I’m cautiously optimistic that I’ll be able to write about The Expanse, season three of which starts this Wednesday, and Into the Badlands, which is back on in two weeks.

Speaking of Into the Badlands, I’m still kind of pissed about Veil being fridged at the end of season two, but season three looks pretty good:

And speaking of Gormenghast, it looks like it may be getting another television adaptation.

Meanwhile, Orientalism is Alive and Well in American Cinema.

Molly Ringwald looked back on the movies she made with John Hughes and how her feelings about them have changed in the era of #MeToo.

It makes sense that current criticisms of Ready Player One would be part of a cultural shift in response to Gamergate.

Tor.com is giving away the ebook of All Systems Red by Martha Wells for FREE through April 10. It’s fab, and you definitely want it if you don’t already have it.

Pre-orders are open for L.D. Lewis’s A Ruin of Shadows, a novella set in the same world as her 2017 novelette, “Chesirah.”

Check out this World Sci-Fi Storybundle. It’s fantastic.

Justina Ireland was profiled at Vulture.

Catherynne M. Valente shared her Favorite Bit of Space Opera.

Tor.com has lists of this month’s new releases:

Mythcreants points out 6 illogical genre aesthetics.

This is something I struggle with, to be honest, but it’s okay to give up on mediocre books (because we’re all going to die).

Mary Berry is going to be on a new cooking show on BBC One!

On the one hand, I don’t super care about Lost in Space, like, at all, but on the other hand, Parker Posey is playing a gender-swapped Dr. Smith:

I am very slowly starting to get hyped for this Han Solo movie, in spite of myself. Tonight, for the first time, I admitted to my partner that I want to go see it at the theater.

The SF Bluestocking 2018 Spring Reading List

I’ve still got a couple of titles from my Winter Reading List that I’m hoping to squeeze in before moving on entirely to the next season of books, but there is so much that I’m excited about this spring, you guys. With the new day job, I have somewhat more disposable income, which means I’ve been buying more books, and I’m now subscribed to more magazines than I can reasonably read (not that I don’t read them, obv, but there are an unreasonable number of them).

On that note, reading more short fiction continues to be a focus of mine this year. I’m especially on the lookout for novelette length work, which I always feel is in short supply. I’m actually starting to cut back on the number of novellas I read; as much as I love Tor.com’s offerings, they release them at such a pace that I simply cannot keep up with all of them any longer, what with the day job and a couple of recent major disappointments in novella-reading, so I expect that I will be prioritizing the most promising ones from now on rather than basically reading them all. Still, a lot of them are very promising, so we’ll see.

I’m somewhat on the lookout for new and interesting YA novels. After having gone off YA for a couple of years, I’ve now gotten to a point where I feel like I’m actually missing out on things. I’m thinking of reading the Not-A-Hugo YA award finalist list over the next few months if I have time, but I’m also open to suggestions. What’s good in YA SFF these days? What are you most excited about that’s coming out this spring? Let me know in the comments if you have any must-read recs for me.

In the meantime, here’s what I’ve got on my actual TBR for April, May and June.

Tor.com Novellas

The only real must-reads on this list for me are Taste of Wrath, which will finish off Matt Wallace’s delightful Sin du Jour series, Artificial Condition, which brings back Murderboy, and C.L. Polk’s debut novel, Witchmark. I liked Margaret Killjoy’s first novella well enough, so I may try to make time for the new one, but I can’t get excited about Caitlin R. Kiernan’s Lovecraftian horror and I’m pretty sure it’s time to give up on Melissa F. Olson’s vaguely noir-ish vampires. The Shipp and McDonald titles don’t sound bad, but my absolute loathing for The Armored Saint has kind of put me off of giving any more chances to books by white dudes for a while.

  • The Barrow Will Send What it May by Margaret Killjoy – 4/3
  • Taste of Wrath by Matt Wallace – 4/10
  • The Atrocities by Jeremy C. Shipp – 4/17
  • Time Was by Ian McDonald – 4/24
  • Black Helicopters by Caitlin R. Kiernan – 5/1
  • Artificial Condition by Martha Wells – 5/8
  • Outbreak by Melissa F. Olson – 6/5
  • Witchmark by C.L. Polk – 6/19

Magazines

I have so/too many magazines to read. I am already loving getting the print edition of Apex, which I highly recommend; every issue is a little more polished than the one before, and they look nice on a shelf together. FIYAH is always excellent, and they are doing some of the most important work in the industry right now: In their first year alone, FIYAH debuted work by over twenty black writers of speculative fiction. I’ve been subscribing to Uncanny for two years now, and it continues to be one of the most consistently excellent publications available, especially when it comes to their non-fiction selections. Finally, now that I have a little more disposable income, I’ve started subscribing to both Clarkesworld and Fireside via Patreon. I’m still deciding if I want to keep reading both of those–there are only so many hours in a day, after all–but I figure I will give it a good six months or so to see if I can make all this into a manageable amount of reading. I’d like to be reading a good selection of short fiction and supporting a variety of publications, but I also don’t want to be stressing myself out by over-buying content that I don’t have time or energy to properly enjoy.

  • Apex Magazine Issues #107, #108, #109
  • FIYAH Literary Magazine #6, Big Mama Nature
  • Uncanny Magazine #22
  • Clarkesworld #139, #140, #141
  • Fireside #54, #55, #56

Anthologies/Collections

  • The Merry Spinster by Mallory Ortberg – 3/13
    This is actually my current read and a holdover from the Winter Reading List, and it’s delightful.
  • Not So Stories edited by David Thomas Moore – 4/10
    There is no universe where I’m not going to read a collection of anti-colonialist stories in reaction to Rudyard Kipling’s work, and I have this on pre-order.
  • A Thousand Beginnings and Endings edited by Ellen Oh and Elsie Chapman – 6/26
    Reimagined folklore and mythology from East and South Asia with a fantastic table of contents.

Novels

  • Dread Nation by Justina Ireland – 4/3
    This was a title I pre-ordered, and I’ve already sped through it in just a couple of days, blowing past bedtime a couple of times to finish it. Dread Nation is excellent, and you need to be reading it right now.
  • Space Opera by Catherynne M. Valente – 4/10
    Cat Valente is pretty much my favorite author, and Eurovision in space is an A+ concept for a sci-fi novel.
  • Fire Dance by Ilana C. Myer – 4/10
    I still have never gotten around to reading Last Song Before Night, but I’m thinking of reading this one, which is apparently another standalone in the same universe.
  • Blackfish City by Sam J. Miller – 4/17
  • Before Mars by Emma Newman – 4/17
    I enjoyed Planetfall but skipped 2016’s After Atlas, so I wasn’t sure about this book, but the closer it gets to its release date, the more in the mood for it I find myself.
  • A Ruin of Shadows by L.D. Lewis – 4/24
    L.D. Lewis’s novelette, “Chesirah,” was on my Hugo nomination ballot this year, so I am very excited to read this short novella set in the same world. It’s currently available for pre-order from the publisher, Dancing Star Press.
  • The Poppy War by R.F. Kuang – 5/1
    I have a feeling that The Poppy War is going to lean a little more grimdark than I’ve been interested in reading lately, but I can’t bring myself to take it off my TBR just yet.
  • Song of Blood and Stone by L. Penelope – 5/1
    I was lucky enough to get an ARC of this, and I loved it.
  • Medusa Uploaded by Emily Davenport – 5/1
  • By Fire Above by Robyn Bennis – 5/15
    I adored Robyn Bennis’s debut, The Guns Above, so I’m very much looking forward to this sequel.
  • Armistice by Lara Elena Donnelly – 5/15
    The sequel to last year’s remarkable Amberlough.
  • Anger is a Gift by Mark Oshiro – 5/22
  • 84K by Claire North – 5/22
    I’m not sure I’m up to reading a dystopian novel this year, but if I am it’ll be this one.
  • Free Chocolate by Amber Royer – 6/5
    This is the first of a couple of very fun-sounding releases coming from Angry Robot this year (the other is Space Unicorn Blues), and I’m very much looking forward to it.
  • Revenant Gun by Yoon Ha Lee – 6/12
    So excited for the finale of this trilogy but also sad that it’s soon to be over.
  • Trail of Lightning by Rebecca Roanhorse – 6/26
    Rebecca Roanhorse’s short story, “Welcome to Your Authentic Indian Experience,” was among last year’s best (and earned her Hugo and Nebula nominations), so her first novel is rightly among my most-anticipated reads of 2018.

State of the Blog and Weekend Links: April 1, 2018

The big news this week, obviously, is that SF Bluestocking is now a TWO TIME Hugo Finalist in the Best Fanzine category. The novelty of typing those words has still not worn off yet, though from now on I’ll probably keep it to myself. Thanks so, so much to everyone who nominated me; you are all The Best, and I love you.

After a shaky start to this year, what with life things happening and so on, I’m finally starting to feel like I’m being somewhat productive. I’ve gotten together an ebook version of my 2017 Let’s Read! Gormenghast posts, so watch for that this week, with new Gormenghast content to come, if not this week as well, then next. I’m also putting the finishing touches on my Spring Reading List as well as a look at my favorite reads from the first three months of 2018. This week is my final week of 5-sh in the morning start times at my day job, so I’m not making any set-in-stone promises about content, but after this my schedule will be much more reasonable and conducive to sleeping and writing and having some work/life balance, so while I don’t think we’ll see a return to my days of covering three or four television shows (plus books and the occasional movie) each week, I am hopeful that I’ll be back to some kind of regular blogging schedule. I’m even tentatively planning to cover The Expanse and Into the Badlands when they start back up in the coming weeks; I think I can handle one Wednesday show and one Sunday show, even if my posts end up being later than I’d prefer.

My favorite thing this week has to be this absolutely perfect tweet:

My second favorite thing this week is that one of my favorite books of 2017, Tansy Rayner Roberts’ Girl Reporter, won TWO Aurealis Awards and a Ditmar Award.

R.J. Theodore shares her Favorite Bit of her steampunk first contact novel, Flotsam.

Theodore also wrote about five things she learned while writing Flotsam.

And here at SF Bluestocking, I’ve got a guest post from R.J. Theodore where we’re also giving away a copy of the book.

The Nerdist has an interesting guide to the film references and influences of The Last Jedi.

At McSweeney’s, “Excerpts from My Upcoming Novel, Ready Player Two: Girl Stuff.”

Good news: Matt Wallace is writing an epic fantasy trilogy! The bad news is that we won’t get the first book until Spring 2020.

Jane Yolen’s story in verse, Finding Baba Yaga, has a cover.

S.B. Divya’s novella, Runtime, has been optioned for film and television. Yes, please.

You owe it to yourself to listen to Christopher Walken reading “The Raven.”

Apparently Ursula K. LeGuin did a folk/electronica album.

The Fandomentals continue their indepth analysis of Game of Thrones season seven with a look at events in King’s Landing: Part 1 (Recap) | Part 2 (Analysis).

There are violent rabbits in the margins of some medieval manuscripts, and you can click this link to find out why.

“The Male Glance” is a must-read essay.

 

 

Guest Post: “How Dare We Escape” by R.J. Theodore, Author of FLOTSAM

Lately I have read heated discussions about whether Science Fiction should be political. The comment that it should not – I’m not certain of its origin – drew backlash on an epic scale.

I can understand where the complaint came from. Understanding is not agreement, mind you. Born from the almost pervasive presence of the deep humanities and call for progress which speculative fiction writers weave into our storytelling, the plaintiff recommended authors stick to pure entertainment. You can practically hear writers’ eyes rolling, right?

Political and humanitarian commentary is powerful when well-handled and I have the utmost respect for penmasters, John Scalzi and others, who can write about a near-future Earth condemning – on a shifting gradient of subtlety – the wrongs undermining our present one. I have the utmost respect, a slathering of awe, and a heaping of envy for writers who take a stand and a scalpel to these issues.

I have always felt unworthy of that task, clumsy and half-informed about issues. I have my personal stories, yes, but my personal stories are not the strong bones upon which I can stretch the muscle fibers of speculative fiction. I am far more comfortable to write my secondary world steampunk escapist tales, aware my work is less tectonic than Clarion-bred spec fic masterpieces with their biting wit and wry optimism. Aware that I run from my problems instead of wrestling them to the ground until they submit.

But hold. Avast. Just, stop it.

No, not you.

I’m talking to myself to cease this negative talk.

If this is survival, and you better believe it is, I have two options: fight or flight.

It’s programmed into me, right there along my vagus nerve, controlling the twitches in my muscles and the tattoo of my heart. I’m going to do one of two things. And I’m probably only going to do one of them with aplomb. It sounds, even to me, more noble to be the one that fights. Sounds like it accomplishes more. Society respects those who stand and fight.

Yes, the traditional hero stands their ground, and that’s important. But that others run away is important, too.

Part of the population must run to guarantee survival into the next generation. Some stand and fight to try and make the world – this world, right here, and now – better for those to come. But the rest have to retreat to safety so they can build that future world. We have to nurture the fragile beings coming forth into the sunlight. We have to hold up an ideal of a future and say, “This is what we’re working toward.”

How dare I write escapist fiction? How dare I envision a distant-future world as though disposing callously of this one with so much work yet to be done? Society would call me a dreamer and a coward.

There was a time I tried not to be a coward and didn’t run. Without getting into it, let’s say I should have, and that I learned the lesson painfully. Looking back, I wish I had acted in the most urgent, self-preservative manner and gotten the.fuck.out. The years following the resulting trauma were a blur, but I know there were books. My life was a series of dark moments of reality sprinkled with the many-hued optimism of other planets. Of portal fantasy that promised me a way out. Of improbable rockets that carried me to other places. Stories that imagined me as other people who knew when to run and when finally, to fight (because eventually we must). That escapist fiction saved me. Saved me from myself. Saved me from the alternatives I imagined for myself. The promise of somewhere else to be saved everything about me. I didn’t discover this style of science fiction after the trauma; it was already a familiar friend. But without it, I don’t think I’d be here today.

And now I write it. I create the distant worlds into which other fragile beings can escape.

Meanwhile, I hold my work up for comparison with those writing pieces that put up their dukes and sink their weight into the knees. I know how to fight. I’ve taken my punches. I’ve been bruised and betrayed and knocked down, and I’ve gotten back up. I put in my time. I took my hits, earned the permanent badges of proof across my skin, and I can do it again if I need to. But it’s not in my nature. If I accept myself, I’ve got to accept that. I have my natural talents, my quiet methods. The signals running up and down my spine give me the burst of momentum I need to leave the atmosphere and break orbit. Though I envy the others who comment on current events and political climates in a way that feels to me as though they are shifting the conversation in powerful ways, my own work has power, too.

Deer freeze in headlights. Young girls freeze when assaulted. With pen in hand, I am neither of those. I have broad, graceful wings for flight, the fuel and boost to escape orbit, shields to withstand barrage, and a ship big enough to take all of you with me if you want to come.

Regardless of which survival instinct a writer is influenced by, we pen stories for hope. We know there is work to be done, and the future we dream of may only be founded by us, and come about too late to be experienced by us. We provide stories that offer catharsis or salve to those who need to experience something other than life as it’s given to them now.

There are those writers who will stand and fight. Who will hold the line, and push back. Who will shine a light into the dark corners of society and reveal our villains for who they are. And there are others who construct the warp-drives that get the survivors to safety and the well-guarded towers within which to wait for the day when it will be safe to emerge.

There are writers who will fight for me, I know. Who keep the necessary battles engaged, here and now. And for them, I run. Guide others to safety, nurture their hope, and wait for that brighter future all writers build together.

R J THEODORE is hellbent on keeping herself busy. Seriously folks, if she has two spare minutes to rub together at the end of the day, she invents a new project with which to occupy them. She lives in New England with her family, enjoys design, illustration, podcasting, binging on many forms of visual and written media, napping with her cats, and cooking. She is passionate about art and coffee.

FLOTSAM, Theodore’s debut novel, releases on March 27, 2018 in print, digital, and audio from Parvus Press.

A fantastical steampunk first contact novel that ties together high magic, high technology, and bold characters to create a story you won’t soon forget.

Captain Talis just wants to keep her airship crew from starving, and maybe scrape up enough cash for some badly needed repairs. When an anonymous client offers a small fortune to root through a pile of atmospheric wreckage, it seems like an easy payday. The job yields an ancient ring, a forbidden secret, and a host of deadly enemies.

Now on the run from cultists with powerful allies, Talis needs to unload the ring as quickly as possible. Her desperate search for a buyer and the fallout from her discovery leads to a planetary battle between a secret society, alien forces, and even the gods themselves.

Talis and her crew have just one desperate chance to make things right before their potential big score destroys them all.

It’s not too late to preorder the book on Amazon or buy from other retailers, but you can also
ENTER HERE to win a copy of the book.

State of the Blog and Weekend Links: March 25, 2018

Well, this has been another week in the life. While I haven’t posted here, I did actually have a productive three days in a row off work (potentially the last such lucky even for a while to come) during which I have actually been writing some stuff and reorganizing my schedule and trying out a new reward/incentive program for myself in order to encourage productivity so that I can get back to writing and posting more soon.

While this new system of doing things hasn’t paid off in any big way just yet, I’m already feeling encouraged. If nothing else, my mood has immediately improved, and I’ve been steadily checking things off my to-do lists, which I’m now doing daily and limiting to just a handful of good, reasonably accomplishable tasks. I’m hoping that this is going to be the long term motivational time-management and accountability tool I’ve been so desperately in need of.

My first big project under the new system is actually the resurrection of an old project. Last year, I began a detailed read-along of Mervyn Peake’s Gormenghast books, but I only made it about halfway through Titus Groan before getting derailed by life stuff and a nasty bout of depression, but it’s actually the 2017 work that I’m most proud of and I think it’s worth returning to and finishing. Plus, I figure it will be good for me to work for a while on something that’s really not time-sensitive. The other most-rewarding work I do is television recaps and reviews, but I foresee it being a challenge to keep up with those while working full time.

That said, new seasons of both The Expanse and Into the Badlands are starting in April, so we’ll see how things go. In the meantime, however, GORMENGHAST. If you haven’t read my previous Gormenghast posts, I should have a convenient (and free) ebook of them out by the end of this week, and I’m hoping to have new posts starting next week.

Finally, be sure to check back here at SF Bluestocking tomorrow, where there will be a guest post by R.J. Theodore, author of the steampunk first contact novel Flotsam (out Tuesday from Parvus Press) as well as a giveaway of a copy of the book.

The finalists for this year’s Kitschies were announced.

Heroine’s Journey, the third book in Sarah Kuhn’s excellent superheroine series, has a cover, and it’s fab, but the somewhat bigger news is that there are going to be more books in the series: three more, to be precise, plus a novella.

L.D. Lewis revealed the cover for her upcoming short story, A Ruin of Shadows, set in the same world as her much-praised “Chesirah” (in the first issue of FIYAH Literary Magazine).

Margot Robbie is going to be producing a female-led Shakespearean drama series.

Last week, I shared a link to an Ada Palmer piece on Treating the Divine in Science Fiction, only to realize after posting it that I ought to have shared the other posts in that series as well because they are all interesting and worthwhile reads. Here they are:

And here’s a trailer for season three of Into the Badlands, which already looks fantastic:

Sci-fi and Fantasy books, tv, films, and feminism