Victor LaValle’s Destroyer
Issues 2 and 3
by Victor LaValle and
Dietrich Smith
The first issue of Destroyer was all promise, with it’s compelling and timely premise and gorgeous artwork. Issues 2 and 3 deliver on a lot of that promise. There’s a lot more action in these issues as well as a lot more depth of feeling as we delve into the real meat of the story. The literary allusions are a little on the nose, especially in a work that’s a little too serious to fall under the category of pastiche, but as the story gets darker I find these humorous nods to the book’s inspirations to be a welcome bit of lightheartedness. Also, and probably because I’m not a great reader of comic books, my favorite thing about this series so far is Victor LaValle’s essay at the end of Issue 3 where he writes about how the two different endings of Mary Shelley’s Frankenstein led him to write this comic.
Kim & Kim Vol. 1
by Magdalene Visaggio, Eva Cabrera, Claudia Aguirre, Zakk Saam, and Katy Rex
Full disclosure: Kim & Kim was an impulse buy because I happened to see someone mention it on Twitter right when I was looking for something to put me over the $25 threshold for free shipping. It sounded cute, but it turned out to be even more fun than expected, a nice balance of sci-fi bounty hunting adventures and character-driven drama with a bright, punk rock aesthetic. The only downside of the book is that Issue 4 ends on a little bit of a sad note, and it’s not clear if/when there’s going to be an Issue 5. In the meantime, however, Kim & Kim creator Magdalene Visaggio is currently offering free pdf copies of Volume 1 to anyone who donates at least $20 to The Trevor Project or Trans Lifeline through Friday, August 4, 2017:
https://twitter.com/MagsVisaggs/status/892926247076081664
Monstress Volume 2: The Blood
by Marjorie Liu and Sana Takeda
The second trade paper installment of Monstress is, like the first, a true thing of beauty. Every page is filled with Sana Takeda’s sumptuous artwork, which is in turn full of gorgeous details, erudite flourishes that reference numerous artistic inspirations, and subtly lovely colors that marvelously convey setting and mood. With a title like “The Blood” I was rather expecting more of the same unflinching brutality as in the first book, but that’s not so much the case. Instead, this volume combines Maika’s continued search for answers about her identity, the increasing danger posed by the Monstrum that lives inside her, and a seafaring journey with a fascinating and visually distinctive new cast of minor characters.
Angel Catbird, Vol. 3:
The Catbird Roars
by Margaret Atwood, Johnnie Christmas, and Tamra Bonvillain
Angel Catbird has never been more than a light, fun likely-vanity project of Margaret Atwood’s, and it didn’t suddenly transform to something more profound in its final volume. The Catbird Roars has the same deliciously silly verbal puns and visual gags that characterized the first two volumes, the same occasional side-barred cat facts encouraging readers to keep their pets indoors, and the same fast-paced absurdist plot that has our heroes dealing with the evil rat army once and for all. The biggest thing that sets this volume apart from the rest is the excellent foreword by Kelly Sue DeConnick, which tells us more of the inspirations and thought process behind Angel Catbird and to put it into a historical context that explains some of its quirks. As someone who is only lately getting into reading comics and doesn’t have a wide knowledge of the longer and broader history of the form, this information really helped me to understand and enjoy the book more fully.
Lady Castle is, for me, the first must-read comic of 2017. I don’t read a ton of comics, to be honest, and I’m pretty choosy about what I spend my time and money on, usually going for limited projects with women writers and artists and steering clear of superhero stuff. I’ve also, in recent years begun avoiding any of the trite ’90s-esque girl power stuff being put out by a certain breed of right on self-identified feminist white dudes, which has sadly left me with a medieval fantasy adventure comic-shaped hole in my life. Long story short, Lady Castle is exactly the comic that I’ve been yearning for over the last several years. It’s perfect and I love it and you should be reading it right now if you haven’t already.

Faith’s geek status is a major part of her relatability as a character, and it also makes the comic a bit of interesting meta commentary on comics, fandom, and geek culture in general. After some personal upheaval, Faith hangs up her cape (theoretically, anyway) and moves to Los Angeles to be a pop culture blogger before she’s forced by circumstance to put her costume back on and get back into the superhero game. It’s not unusual for superheroes to have secret identities, and even Faith’s job in media isn’t unusual, but her particular situation is uniquely and distinctively of the early twenty-first century. I have a feeling that, years from now, this is going to date this book, and it’s possible that it won’t hold up well to the test of time, but it’s a specificity that adds to the authenticity of Faith’s earnest storytelling. You can tell, both in the art and the smart, funny writing, that the people behind this book really care about geek culture and have a good amount of inside knowledge.
led to me putting off reading the book for longer than I otherwise might have.
ODY-C is an ambitious, psychedelic epic fantasy that needs to be completely finished and printed into one enormous, beautiful book so I can just read it all in one sitting. It’s a futuristic, gender-bent retelling of The Odyssey, and it’s a great way of bringing an ancient story to life for a new generation of readers.
If possible, I think I love Rat Queens even more now than I did after finishing Volume 1. Volume 2 addressed the few quibbles I had with the first collection, and the Braga special issue tells the story of one of my favorite secondary characters from the comic.
So, there’s really no good reason I put off reading this comic for so long. I think I was just turned off by the word “sass” in the title of this first collection. I don’t think there’s any word used to describe women that pisses me off more than “sass” (or any iteration thereof).