Where the Stars Rise is a wonderfully diverse collection of Asian science fiction and fantasy that deserves to be on the shelves of anyone serious about being well-read in the genre. Like all good anthologies, there’s something here for almost anyone, while at the same time the collection has a distinctive character that’s all its own. A running theme of the collection is identity, with story after story examining ideas about racial, cultural and personal identity. Experiences of racist oppression figure largely in these stories, but so do experiences of parenthood, disability, trauma, loss and grieving, aging, and displacement or immigration. With a near-even split between science fiction and fantasy and a wide range of subgenres included, this is a remarkably well-rounded anthology that I found had a good mix of well-known and new-to-me short fiction writers. That a portion of the proceeds from its sales goes to benefit Kids Help Phone, Canada’s only 24/7 free and anonymous counseling and information service for young people, is an extra enticement to support the title (and Laksa Media more generally—all of their titles support charity).
The book starts with “Spirit of Wine” by Tony Pi, a cleverly droll fable set in Song Dynasty China. It’s the first of several historical (or historical-ish, anyway) stories with a sort of folkloric sensibility, though the rest appear later in the collection. Pamela Q. Fernandes’s “Joseon Fringe,” Minsoo Kang’s “Wintry Hearts of Those Who Rise,” Deepak Bharathan’s poetically lovely “Udātta Śloka,” and Anne Carry Abad’s trickster myth “Moon Halves” round out the stories in this group. As a huge fan of folk-inspired fantasy of all kinds, I was thrilled to see a nice assortment of stories of this type in the anthology.
Other stories struggle with the weight of history and work on processing some of the ugliness of diasporic experiences. “Rose’s Arm” by Calvin D. Jim deals with, among other things, anti-Japanese racism in a steampunk-ish alternate 1928 Vancouver. In Miki Dare’s “A Star is Born,” an elderly Japanese woman recalls her experiences in an internment camp in the 1940s. “Vanilla Rice” by Angela Yuriko Smith examines the existential threat that white supremacy poses to individuals. In “Meridian,” Karin Lowachee offers a futuristic take on the trauma of failed adoptions, an issue that is unfortunately timely. E.C. Myers’ “The Observer Effect” is a superhero story that discusses whitewashing and the importance of representation.
I adored Fonda Lee’s story, “Old Souls,” an acerbically intelligent story involving reincarnation and an ancient grudge. It’s probably the most commercial and polished story in the collection, and it’s got me hyped for Fonda Lee’s upcoming book, Jade City, which is her first novel for adults. “Weaving Silk” by Amanda Sun is probably my favorite story in Where the Stars Rise; I loved the way Sun turned her central conceit over and over, working it throughout her post-apocalyptic story like a bright thread. S.B. Divya’s “Looking Up” was another favorite. I’d read Divya’s novella, Runtime, and enjoyed it last year, and “Looking Up” is another showcase for her understanding of complex familial relationships but in a very different setting from Runtime’s.
The final story of the collection is “The Orphans of Nilaveli” by Naru Dames Sundar, and it’s as sharp and incisive a piece of flash fiction as I’ve seen this year. The story of a future Sri Lanka where people use programmable technology to blind themselves to others that they don’t want to see is both deeply specific and broadly applicable to the ways in which so many people already pretend that inconvenient Others don’t exist. It’s a short but powerful story that is the one I would choose if asked to name a single story from this anthology that everyone ought to read.