Tag Archives: Crazy Ex-Girlfriend

The SF Bluestocking 2016 Fall Watchlist

After a summer of not watching much at all–though I did finally check out Stranger Things–I feel like September has really just crept up on me. I realized yesterday that I’d been unaware of the premiere date for Son of Zorn, one of the few new shows that I’m even moderately interested in this year, and that’s when I sat down to work out what I’m going to be watching this fall. Sadly, some of my favorite shows (notably The Expanse and iZombie) won’t be back until 2017, and the same goes for the new shows (American GodsPowerlessStar Trek: Discovery) that I’m most excited to see. So, this fall definitely is a season of slim pickings. Still there are a few things I’ll be following.

Son of Zorn
September 11 on Fox

I don’t have super high hopes for this show (in fact, I’m somewhat confused about how this one got greenlit in the first place), but it’s got several people involved in it who I really like. The pilot was watchable and moderately amusing, but it was dedicated almost entirely to basic character introductions and setting up its frankly silly premise. Tim Meadows pulls his weight, but Artemis Pebdani is the real highlight of the pilot as Zorn’s new boss, Linda. The rest of the cast is fine, and I really love Jason Sudeikis, but I’m just not sure this show is going to work. I’m here for it, though, at least for a few more episodes. I expect this one to either sink or swim quickly.

Lucifer Season 2
September 19 on Fox

Lucifer is one of my favorite problematic faves, and I’m very much looking forward to its second season. Adding Tricia Helfer to the cast can’t hurt, and D.B. Woodside and Lesley-Ann Brandt killed it last season. My biggest hope for it is that it gets some better, or at least more consistent writing instead of simply relying on Tom Ellis’s considerable (possibly infinite) charisma to save the show from mediocrity. Also, more Trixie, please.

The Good Place
September 19 on NBC

I like Kristen Bell, and the show claims to be from the same creator as Brooklyn 99 and Parks and Recreation, two of my favorite comedies in recent years. However, the trailer for this one isn’t great, and it seems like it could be taking its concept to a place that is a little more cartoonish than I normally find funny. Still, I’ll check it out for an episode or two at least.

The Exorcist
September 23 on Fox

I’m not that into horror, as a general rule, because I don’t like things that are actually scary, but I’ll watch this for Geena Davis.

MacGyver
September 23 on CBS

MacGyver is the most profoundly stupid-looking and completely inexplicable reboot of the year, and there is no universe in which I don’t check out at least a couple of episodes of this train wreck.

Luke Cage
September 30 on Netflix

Full disclosure: I still haven’t watched the last couple episodes of the first season of Daredevil, but I absolutely loved Jessica Jones, so I’m not sure when I’ll get around to watching Luke Cage. I’m not sure that I’ll like it, since I’m not really that into super heroes, and I was turned off of this show a little by an early trailer (the SDCC one maybe?) in which not a single female character was even visible. However, it’s on my list.

Ash vs. Evil Dead Season 2
October 2 on Starz

The greatest virtue of season one of Ash vs. Evil Dead may have been that it was only a half hour show, so it never overstayed its welcome. It certainly made some missteps, most notably in the treatment of its female characters, but it was nevertheless a fun watch, enough that I’ll be tuning in for a second season, anyway. I’m sure it’ll be worth watching just for the artfully spraying gore, if that’s a thing you like watching (and I do).

Westworld
October 2 on HBO

So, Westworld, is apparently a television adaptation of a 1973 film by the same title that I’ve never seen, but that some people are outraged is being rebooted because that’s how these things go. It’s HBO, so I expect it to have high production values and good writing, but I also expect it to have problematic elements and a similar tone deafness to certain issues that characterizes other HBO shows. That said, it looks good, and I’m always happy to see more serious sci-fi being made even if I do wish we could get more original content–or at least shows based on material written in this century.

Conviction
October 3 on ABC

I’m not sure the world needs another hard-living anti-hero lawyer show, but if it really must be done I guess casting Haley Atwell is a good direction to go.

Supergirl Season 2
October 10 on CW

I really liked the first season of Supergirl, but it’s a show that was bogged down time and again by poor writing. Sadly, I don’t expect this to improve with its move from CBS to the CW and the correspondingly smaller budget that comes with that. Calista Flockhart has already been downgraded to guest star, which is disappointing as Cat Grant’s relationship with Supergirl/Kara was for me one of the best parts of the show. We’ll see, though. Maybe the smaller budgets will bring a new back-to-basics mentality to the writers’ room, and we’ll see some more coherent storytelling. Melissa Benoist is an amazing Supergirl, and it would be nice to see her get the type of writing she deserves.

The Rocky Horror Picture Show: Let’s Do the Time Warp Again
October 20 on Fox

I am unabashedly excited for this.

Crazy Ex-Girlfriend Season 2
October 21 on CW

I almost never watched this show because I hated the title so much. I still hate the title, but the show itself is amazing, and I cannot wait for season two.

Gilmore Girls: A Year in the Life
November 25 on Netflix

I mean, obviously.

Best of 2015: Favorite Television

2015 has been a sort of strange year for television. On the one hand, there were quite a few shows that I was excited about at the beginning of the fall season, but when it came down to it I found that I just didn’t have time to watch all of them (The Last Kingdom and The Bastard Executioner were two that didn’t make the cut). Of the ones that I did watch, a couple turned out to be totally unwatchable disappointments (Scream Queens and Heroes Reborn fell into this group). And a couple of the shows I was most looking forward to (X-Files, The Shannara Chronicles, Lucifer, The Magicians, Shadowhunters) don’t actually premier until January. Most of what I’ve watched this year, then, has been things that I was already watching and enjoying. Only a few of the year’s new shows really stuck, and at least one of those is almost certainly not getting a second season.

Jessica Jones

This Netflix gem is kind of objectively the best new show of the year. It can be tough to watch, with its themes about rape and abuse, in spite of the fact that none of the sexual violence is ever actually shown on screen. Jessica Jones is a deeply compelling character who fits a lot of common noir tropes, but a lot of that is subverted by her journey being one of personal healing rather than a revenge tale. In the end, Jessica wants mostly to protect others rather than just avenge herself, making her a complicated and fascinating feminist hero. I can’t wait to see what she does next.

Supergirl

This year CBS gave us a very different kind of feminist hero in Supergirl, and I love that we now live in a world where both Kara Danvers and Jessica Jones are getting their own vastly different shows. Supergirl is much more overtly and earnestly feminist than the Netflix series, which can be frustrating at times, especially when the show garbles its 101 level messaging, but Melissa Benoist carries the whole show on her super-strong shoulders by creating a Kara who is tough and brave, but most of all deeply kind. When Strong Female Characters are often imagined as ass-kicking fighters, it feels pretty revolutionary to have a super-powered woman on television who is as deeply empathetic and caring as Benoist’s Supergirl.

Crazy Ex-Girlfriend

Crazy Ex-Girlfriend is a show that I almost didn’t watch at all because I found the title so off-putting. It’s also the show that’s been, by far, the most pleasant surprise of the year. Hot shot lawyer Rebecca is so miserable with her life that she makes a totally bonkers decision to move to a small town in California where her ex-boyfriend, Josh, lives. It’s an absurdly silly premise, but I haven’t related to a character this much in a very long time. I, too, struggle with mental illness, and I, too, have often thought that making some enormous and ill-advised change in my life would somehow magically fix everything. Essentially, this show is a humorous take on how this kind of insane decision could work out for someone. Spoiler alert: everything is terrible-ly hilarious. Also, there are songs, because everyone involved in the show is a musical theatre nerd.

The Expanse

It’s great to see SyFy actually getting back to its roots and producing more, well, sci-fi. I didn’t love their adaptation of Childhood’s End (although I appreciate the attempt), but The Expanse is truly excellent. It’s space opera, but also a sort of mash-up with a noir detective story and a futuristic political drama. There are several notable women characters, including Chrisjen Avasarala (played by the incomparable Shohreh Aghdashloo), who I am certain is going to end up being the iconic character of the show. It’s worth watching just for her parts, but the rest of it is pretty great, too.

Into the Badlands

For some reason, almost no one seemed to talk much about Into the Badlands during its six-episode first season on AMC, but it’s a fucking excellent show that has surprisingly feminist sensibilities as well as some of the most incredibly choreographed martial arts fight scenes I’ve ever seen on television. Just in general, Into the Badlands is a gorgeously imagined and shot show, with highly saturated colors, striking cinematography, and great costumes. It’s also got a relatively diverse cast headed up by two Asian men (Daniel Wu and Aramis Knight) in the lead roles. A black woman (Madeleine Mantock) is the main character’s love interest, but she’s also a doctor and a revolutionary of sorts in her own right. The numerous other women on the show also eschew stereotyping, and while they exist in a fairly sexist fictional world, their roles and struggles aren’t entirely dictated by that. The only negative of this show is that it’s only six episodes for now and a second season hasn’t been confirmed, which makes the cliffhanger ending at the end of episode six potentially very frustrating/upsetting.

Minority Report

This show had tepid ratings and mediocre reviews and is the abovementioned likely-cancelled show, but I enjoyed it. The actors had a decent chemistry, though the writing could have been stronger all around, and I’d have liked to see the show explore more of its bigger ideas instead of adhering mostly to a case of the week format. Sadly, Fox has a tendency to invest in development for interesting sci-fi shows but then cut them off quickly if they don’t perform well, and that’s what happened with Minority Report. The news that their episode order had been cut from thirteen to ten after something like episode three of the first season didn’t help ratings. Still, the show was entertaining and had a lot of promise. It even managed to wrap up episode ten in a way that will act as a reasonably satisfying end to the story if there are no more episodes. It’s still available for binge watching on Hulu if you run out of other things to watch.