Category Archives: iZombie

iZombie: In “Eat, Pray, Liv,” Ravi digs the deepest hole. He lives there now.

After the big shake-up in the season two finale and dealing with the fallout from those events in the first couple episodes of season three, iZombie is already getting back to a more routine formula, and that’s not a bad thing. The case of the week concerns a murdered yoga instructor, and it’s a below average mystery at best. There are a couple of good Liv and Clive moments during their murder investigation, and it’s interesting to see Clive getting more comfortable with Liv’s zombie abilities, but the main events of the episode all concern secondary characters.

**Spoilers ahead.**

Major is working his way through mercenary training at Fillmore Graves, where it turns out that having been a personal trainer and generally fit still puts him way behind a group of guys who were apparently already mercenaries before they even became zombies. Major also doesn’t like the brain tubes that they eat at Fillmore Graves: “It’s like someone ate old brains, then yogurt, and then mommy birded them into a tube.” Which sounds about right, but Major has bigger problems. As we’ve already been reminded last week, the non-working version of the zombie cure that Major took will likely kill him if nothing else is done, and this week Major starts exhibiting some symptoms, mostly in the form of a persistent cough that Ravi diagnoses as a mild case of pneumonia. It’s a more tangible reminder, this time, that Major’s time is potentially very limited, and this episode sees him taking more steps to try and find Natalie, a quest that has a new urgency with Major being unable to deny anymore that he may be dying. Also of interest this week are Major’s several long, sad looks at Liv. He’s obviously still in love with her, but it remains to be see whether he is going to say anything to her about it or if he’s just going to keep suffering in silence.

Blaine’s dad, Angus DeBeers, is back and in a big way. First, Angus gets his lawyer to come with him to take back Blaine’s inheritance, which gives us yet another scene that proves Blaine isn’t faking his amnesia. Angus then spends the rest of the episode working with Don E. to open a new zombie club. It’s not entirely clear what exactly they’re planning to do here and how they’re somehow going to turn it into a revenge against Blaine, but they’ve got the place, it’s zombies only, and Don E. is about to go on a scratching spree. It’ll be interesting to see how these plans work out, especially for Angus, who doesn’t seem able to inspire much loyalty in his new lackey, judging by the wistful look we see Don E. giving Blaine at the end of the episode. And let me just say, Don E. staring wistfully at Blaine through a rain-covered window might be my favorite single image of the season so far.

The big thing I want to talk about this week, however, is Ravi and Peyton. I haven’t been thrilled with how Ravi has been behaving the last couple of weeks, and I’ve been concerned that his sad man story might be dragged out for a long time. I shouldn’t have worried. This is the episode where Ravi torpedoes his relationship with Peyton and possibly their whole friend group.

After Liv stops putting up with his constant moaning about Peyton and tells him to go talk to Peyton about it, that’s exactly what Ravi does. Peyton is at first receptive to his apology, as she’s been confused and hurt about Ravi’s coldness towards her, but things go off the rails quickly, with Ravi seeming to low key blame Peyton for his intrusive thoughts and then framing his apology to her in such a way that it’s clear he’s expecting his apology to be reciprocated. It’s the worst sort of sexist bullshit, and Peyton is not having it. She doesn’t have anything to apologize for, she’s not responsible for Ravi’s intrusive thoughts, and she’s got her own shit to deal with. It’s not often that we get to see a woman on television deliver such a great shutdown of men’s garbage like this, and it’s even rarer to see it portrayed as entirely justified and correct. It’s not that Ravi is completely unsympathetic; it’s just that he is completely in the wrong here and being monstrously unfair to and manipulative of Peyton.

Things get worse later on when Ravi and Liv get Blaine to come to the morgue so they can try to convince him to test the memory restoration serum that Ravi has come up with. Blaine, very understandably, doesn’t really want to have his memories back. He doesn’t remember the evil things he did, and his amnesia offers him the chance for a fresh start. Ravi argues that Blaine owes them this, and Ravi goes on a bit of a rant that culminates with him confessing his love to Peyton. Blaine finally agrees to test the memory serum, but Peyton isn’t immediately responsive to Ravi’s declaration of love, so Ravi goes out and sleeps with his old boss, Katty. This is found out when Peyton shows up at Ravi’s place. They’re talking in the foyer, Ravi kisses Peyton, and then Katty drops a wine glass in the other room, at which point Peyton walks into the kitchen and sees the other woman wearing no pants. The whole situation is on the one hand almost laughably contrived but on the other hand not exactly out of character for Ravi at this point. Once again, Peyton is not putting up with Ravi’s shit, though, and she leaves, immediately, and goes to join Liv and Major to listen to Blaine singing.

I almost feel bad for Ravi, but only in the way that I would feel bad for anyone who repeatedly punched themselves in the crotch for no reason. He just makes all the worst possible decision with how he deals with his feelings for Peyton, and it’s hard to watch. It’s, honestly, something of a bold move for the show. Ravi is a fan favorite character, partly because he’s generally delightful, and this storyline forces the viewer to see him in a very different and extremely unflattering light. That said, I am so glad that it’s made so clear that he’s the bad guy here. Peyton hasn’t done anything wrong, and Ravi hasn’t done anything right with her for a while now. We’re seeing something of a darker side to Ravi this season, and while I’m glad this storyline is moving along quickly I also hope the show doesn’t let Ravi out the hole he’s dug for himself anytime soon. He’s not the worst, and he’s not irredeemable, but they definitely should take their time.

Miscellaneous Thoughts:

  • Blaine’s new job is as a lounge singer, which is obviously/hopefully just a perfect excuse to have David Anders sing every week.
  • Justin seems nice, and I’m glad Major is making a friend. They’re adorable together, and I feel like there’s already a subtext of “It would be a shame if something happened to one of them,” and I hate that subtext.

iZombie: “Zombie Knows Best” would be better if it wasn’t a showcase for Whiteness

iZombie is a show that has always struggled with issues of race (and even, at times, gender), and “Zombie Knows Best” functions as a showpiece of several of the show’s general race/gender problems. I suspect it’s a writers’ room (more like Whiteness room) problem, to be honest. Still, it manages (though not impressively) to be a solid episode with some enjoyable moments. Clive gets some much needed, albeit extremely belated, backstory; we learn some more about what’s going on at Fillmore Graves; there’s a decent-but-not-stand-out case of the week; and for all that there are significant flaws in the execution of it, Liv and Major on father-daughter brains still delivers some humor if you don’t think too hard about any of it. I’d like to see the show do better, but this episode could have been worse.

**Spoilers below.**

The episode opens with Clive being questioned by Detective Cavanaugh, which seems to have taken place the night before the events that make up this week’s case. Cavanaugh wants to know more about Clive’s relationship with Wally. Clive at first tries to downplay the relationship, but he’s forced to spill when Cavanaugh pulls out a photo of Clive with Wally and his mother, Anna (Caitlin Stryker), in which they all look very cozy. Clive’s answer to Cavanaugh and his memories of Wally and Anna are metered out over the course of the episode, and we learn that Anna’s husband was abusive, which landed him in prison. While the husband was in prison, Clive grew close to Anna and Wally, almost becoming romantically involved with Anna before he went undercover and Anna and Wally moved in with Anna’s brother, Caleb, and somehow got turned into zombies, at which point Anna sent Clive a letter telling him they didn’t want to keep in touch.

This is the most we’ve learned about Clive since the show started, and it’s by far the most real Clive has ever felt. It’s just unfortunate that Anna and Wally had to be fridged in order for Clive to develop as a character, especially when we see how wonderful Anna is and especially especially considering how few women of color have been featured on this show in any kind of positive capacity. And listen. I get it. I understand that this is all about Clive’s regrets and doubts and what-might-have-beens. It’s meant to give a previously enigmatic character some more depth and shape, and there’s nothing like a tragedy to make that happen. However, this is the same show that screwed around for months having Clive date that Dale woman last year only to have nothing ever come of it. They could easily have introduced Wally and then Anna as a love interest for Clive, given them basically the same backstory with the abusive husband and zombification and lost contact, and written a story about Clive reconnecting with Anna and coming to terms with her being a zombie as he comes to terms with the whole zombie thing in general. Instead, we get a pretty much textbook fridging leading to what is moving towards revenge quest territory.

Anna deserves better, and the audience deserves better than this kind of lazy, cliché nonsense, no matter how cleverly the story is told in intricately woven together flashbacks.

The case of the week concerns a father and daughter, Stan and Cindy Chen, who are killed in an obviously suspicious hit-and-run. When Cindy’s friend Winslow sent Cindy a photo of Winslow in bed with her step-dad, Cindy showed it to her father, who insisted that they had to tell the authorities, which turns out to be a motive for murder when Winslow’s mom finds out. There are a couple of interesting twists and turns here, and even a nicely done red herring moment—when we see Major’s flashback to Cindy showing her dad the image on her phone and exclaiming “gross,” the context suggests (briefly) that it could be something zombie-related—but the truth is that this whole case just seems like an excuse to have Liv and Major eat these brains for humor reasons.

Literally as soon as we meet Winslow’s mom it’s obvious that she’s the murderer and the case is solved without much more trouble. Much more time is spent on Major and Liv being entertainingly effected by Cindy and Stan’s brains, which is definitely funny, and it helps to lighten things up since Clive’s story line this week is so dark and sad, but it’s a bit of a cheap laugh. Robert Buckley hamming it up stereotypical teenage girl style loses its charm quickly, and dad Liv isn’t much better. The problem with both of these is that they rely on only stereotypes for their characterization this week, and they’re positively archaic stereotypes at that. Teen girl Major could have been based on the teen daughter in any movie from about 1975 to the present, and Liv’s dad brain seems straight out of the 1950s. Neither of them give us any insight whatsoever into who Cindy and Stan were as individuals, though we know that they were killed on the way to an ice skating practice at 4 am and that they surely had complex internal lives that weren’t boring clichés. That Cindy and Stan were Asian American is entirely ignored in favor of playing with the lower-hanging fruit of “jokes” that are more “relatable.” I suppose it’s for the best that they didn’t go for mocking Asian stereotypes, but I don’t think what they did do, just ignoring the individuality of the characters altogether, is much better.

The worst effect of this is that it makes it difficult to become emotionally invested in the murder victims. Instead, the audience is encouraged to identify more with rich white girl Winslow. Even though Winslow isn’t painted as a particularly sympathetic victim, she still gets significantly more screen time than Cindy and Stan Chen together. We never even learn if Cindy has a mother or if Stan has a wife, and we certainly never meet her if she exists. However, we meet Winslow’s mother and step-dad, we see their business, we learn their history and see something of their family dynamic. It’s a lot of information about them and a lot of attention paid to Winslow’s victimization—we even get to see her skeevy step-dad’s booking on screen—but we don’t meet a single other soul who’s even met Cindy or Stan. I doubt this is maliciously intended, and it’s common for the show to focus on suspects and the main cast rather than on its murder victims, who are often simple plot devices, but still. They usually do better than this at giving us an idea of who their murder victims are and why we should care about them, at least for forty or so minutes.

Miscellaneous Thoughts:

  • Clive’s flashback mustache is surprisingly hot.
  • Liv’s “King of the Grill” apron might be my favorite thing about the episode.
  • Ravi’s angst over Peyton is already boring, and it, frankly, makes him seem like kind of an asshole.
  • Speaking of Peyton, she’s absent this week, as is Blaine. They’re missed, but I don’t know when they could have been squeezed into the hour.
  • The Fillmore Graves zombies eat a mash of different brains that keeps them from having the personality shifts and flashbacks that Liv and Major experience.
  • While much of dad Liv fell a little flat for me, “In this house we eat brains and solve murders!” made me laugh.
  • I’m not sure about the creepy IT guy. His role here seems like a new character introduction, but he’s weird and unfunny and bland enough that I can’t even remember his name. He’d definitely be an unnecessary addition to an already large cast.

iZombie: “Heaven Just Got a Little Bit Smoother” establishes a new and problematic normal

**This is a pretty spoilery review from start to finish.**

iZombie’s season two finale cleared the board, killing off or otherwise getting rid of the show’s major villains while ending the season with a zombie- and energy-drink-fueled conflagration that threatened to alert the whole world to Seattle’s undead problem. The first episode of season three, “Heaven Just Got a Little Bit Smoother,” is all about establishing a new baseline for the show and for all its characters, starting with everyone getting their stories straight about what happened at the Max Rager party, as the episode picks up 2.8 minutes after the last one ended. It’s a tense beginning, with Clive, Liv and Major coordinating their stories with new character Vivian Stoll (Andrea Savage) while on the other side of town Peyton, Ravi and Blaine are dealing with the aftermath of the shootout with Mr. Boss’s men after they’d kidnapped Peyton.

After this initial excitement, however, things slow down for a minute so we can get a slightly info-dumpy Liv voiceover that catches us up on the current state of the team—Liv, Ravi, Major, Peyton, and Clive—who are gathered together at Liv’s place to figure out what to do next. Liv suggests that they adopt a new “no secrets” policy between the five of them, and in the interest of that agreement tells them about her first meeting with Vivian and Vivian’s idea of making Seattle the capital of a zombie homeland. Interestingly, instead of jumping to conclusions and immediately labelling Vivian as a villain, Liv, Major and Clive take the time to set up a meeting with Vivian the next day to find out more about what she and her company (Fillmore Graves!) have planned.

Meanwhile, Blaine has headed back to his funeral home, where he’s confronted by Don E., who is convinced that Blaine is faking his amnesia. It’s an interesting and entertaining way for Blaine’s past to come back and haunt him, but even more interesting is to see a glimmer of the old Blaine when he realizes that the business is his and that Don E. and Chief were taking advantage of him when he first lost his memories. He lets Don E. quit, but before Don E. leaves, he finds Blaine’s frozen dad. It’s no surprise later in the episode to find Don E. unfreezing the old man so they can plot revenge against their mutual enemy, but it is a positive development, at least for watchers of the show. I’m encouraged that the show seems to have found a balance between Blaine having amnesia and Blaine still being Blaine, deep down.

The meeting with Vivian is delightfully unexpected. I rather thought she was going to replace Vaughn Du Clark as the show’s manically wicked corporate bad guy, and Andrea Savage would be great in that type of role, but that doesn’t seem to be the direction the show is going at all. Instead, Vivian’s preparations for “D-day” (“D” for discovery, when humans learn about the zombies in their midst) are actually mostly sensible. I mean, if she’s really concerned about humans taking military action against zombies, I’m not sure that moving every zombie man, woman and child to a tiny island is the best strategy, even if she does have her own zombie militia, but it’s not the worst idea, either. Sure, it sounds like a made-to-order target for drone strikes, but it could also work to prove that zombies are peaceable, normal people capable of existing in regular society if given the chance. If nothing else, Vivian thoroughly shows here that she’s not planning a pre-emptive strike or anything of the sort, and this gives Liv, Major and Clive quite a bit to think about regarding whether humanity is ready to know about zombies at all.

Unfortunately, after this promising start to the episode, the rest of it turns into a little bit of an overstuffed mess that all the smart, snappy dialogue in the world can’t completely make work. Here’s a list of things that happen in the final two thirds of “Heaven Just Got a Little Bit Smoother”:

  • Ravi isn’t dealing well with the news that Peyton and Blaine slept together, and he’s being a dick about it. Peyton hasn’t been entirely fair to Ravi, what with totally bailing on him without a word and all, but Ravi needs to grow the fuck up. I almost audibly cheered when Liv told him to stop it.
  • Peyton goes to see Blaine to thank him for saving her life, and he asks her straight up if they’re a couple. Whatever conversation that leads to happens off-screen, however, which makes it not really clear to anyone, viewer included, exactly where these two stand.
  • Major is looking for a job, but everyone still thinks he’s probably the Chaos Killer, which sucks. He eventually takes a job at Fillmore Graves. Because of course he does.
  • Ravi and Clive have a genuinely excellently done expository scene where they talk a lot about Ravi’s seventeen remaining doses of zombie cure and Liv and Major’s options re: getting cured and losing their memories versus just sticking this zombie thing out for a while longer. We’re also reminded that Major must make a choice sooner rather than later before the first non-working cure he took horribly kills him.
  • The security guard from the Max Rager party goes on a right-wing conspiracy theory radio show and spills about the zombies he saw tearing through the event. Liv and Clive try to stop him, but this only makes matters worse by adding fuel to the government cover-up fire.
  • Liv keeps staying on soldier brains to try and keep from feeling her feelings about having to shoot Drake, but it obviously stops working. Clive gets her extremely drunk, off-screen, which is sweet, but now it feels like the show is trying to avoid letting anyone have any feelings about this.
  • Peyton is being harassed and/or threatened on Twitter, and it frightens her. She tries to call Ravi, who petulantly refuses to answer the call, so instead she turns to Blaine for comfort. Nice going, Ravi.

What I want to talk about is the end of the episode. Early on, when Vivian is showing Liv, Major and Clive around Fillmore Graves and explaining what they do there, they meet a little boy, Wally, who knows Clive. It turns out that Wally and his parents are zombies, but they also used to be Clive’s neighbors, and Clive is happy to see Wally again so they agree to make plans to get together later. At one point in the hour, we hear a caller on the radio talking about how he thinks his neighbors are zombies, and the episode ends with Wally and his parents being murdered, each one shot in the head, presumably for being zombies. I suppose this can be interpreted, generously, as a way for the show to make the zombies’ potential plight real and to give Clive a very personal reason to care about what happens to the zombies in case his friendship with Liv isn’t enough.

Okay, sure. But there is a lot of weird coding going on here. While Malcolm Goodwin and Rahul Kohli have been regular cast members since day one, the show has otherwise struggled at times with diversity and hasn’t spent much time dwelling on race at all. However. There are some definite parallels emerging between the zombie experience and the experiences of immigrants and people of color in the US, and it’s uncomfortable, to say the least. All but one of the show’s notable zombies (good and bad) before now have been white, and it’s bad optics—at the very least—for the first black zombie family on the show, including a young child, the be murdered before we’ve even been properly introduced to them. At worst, it’s lazily racist shorthand to reiterate—in case the violent anti-zombie rhetoric that sounds very like ordinary right-wing vitriol wasn’t enough—that the show’s white zombies are, in the universe of the show, an oppressed minority. That the instigator of the anti-zombie frenzy that led to Wally and his family’s murders is also black doesn’t seem coincidental. It’s weird messaging all around, and I’m not sure that I’m willing to give it the generous interpretation when the show has failed on race in several other ways.

Finally, and still speaking of race, let’s talk about why this show, now in its third season and having received criticism for it for years, still can’t seem to cast a woman of color in any significant role. In addition to Vivian Stoll, the show also introduced us to Ravi’s ex-boss, Katty Kupps (*groan*), who is (surprise, surprise) also white. Listen. I love this show, and I love Liv and Peyton, and I liked Gilda or Rita or whatever her name was last season, but the most memorable woman of color that’s ever been on the show is memorable primarily for being a horrendously offensive racist stereotype of black women. No woman of color has ever had a multi-episode arc, and Liv has never been shown to be friendly with any woman of color. We couldn’t even get a woman of color as a love interest for Clive, who when he was dating dated a white woman, or Ravi, who is very hung up on Peyton.

This is bullshit. Women of color deserve better, and white women don’t deserve to always have even fictional worlds revolving around them a hundred percent of the time. Maybe I’ll be pleasantly surprised later this season, but I’m not going to hold my breath.

Miscellaneous Thoughts:

  • Considering this show’s predilection for slightly on the nose joke-y names, I googled “Stoll” and was not disappointed: Vivian Stoll could be roughly translated to “life support.”
  • So… do zombie kids grow up? Or are they trapped as children forever? This is important.
  • “We’re trying to keep a secret here.”
  • “I don’t like thinking about that!”
  • David Anders should sing in every episode.
  • Aly Michalka has finally gotten promoted to series regular, which means we should be seeing a lot more of Peyton from here on out.